RELATED: The considerable cult that has grown up around Galifianakis’s performances over the last few years, both live and on video-sharing sites like YouTube, has done so largely because his routines are, arguably, the most unpredictable in contemporary comedy. A typical hourlong set might meander from carefully composed, conceptual one-liners à la Steven Wright to profanity-drenched tirades against members of the audience to slapstick to solemnly tacky musical interludes (Galifianakis is an able pianist) to Andy Kaufman-esque attacks on the genre that seem less concerned with eliciting laughs from the crowd than with confounding its notions of what comedy or, for that matter, entertainment ought to be. Perhaps more than anyone else in the business, Galifianakis embodies the rebellion against the outmoded Comedy Club circuit — the exposed brick, the two-drink minimum, the indifferent audience, the “regular guy with an attitude” routine — which has come to be labeled the “indie comedy” movement. MORE

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